Or just monsters. And girls. Whatevs. Two of my favorite topics in one Webcomic Wednesday. Because this is what Wednesdays were made for, right? Right. Any excuse to stop what you’re doing and read some webcomics. We need more days that start with W.

Monster Pulse

Monster Pulse, Magnolia Porter
Updated: Mondays, Wednesdays, Fridays
Monster Pulse is an all-ages adventure story about kids whose body parts transform into fighting monsters.

Morning to Moon

Morning to Moon, Meghan Penton
Updated: Usually Tuesdays
Samaire is an ex-body guard whose existence is turned upside-down by an accident. She finds soon that rebuilding her life is a lot more interesting than she thought it would be — and a lot more dangerous.

Amya Chronicles

Amya Chronicles, Savannah Houston-McIntyre, Andrew Hewitt, & Rebecca Gunter
Updated: Normally Wednesday (Right now sporadically)
Amya is a high-fantasy graphic novel following the travels of a mute spell-touched and her unlikely companions as they are dragged into an adventure that is a little beyond them. Ultimately Amya is a story about self sacrifice for the greater good. It is also a story of how far one will go to obtain unearthly power; even if it includes throwing the world into a mythical war between fate and chaos.


Missed other #WW? Find them here:
Webcomic Wednesday Numero 25: Everblue, Machine Flower, The Intrepid Girlbot
Webcomic Wednesday Hourly Comic Special: Emily Carroll, Dani Jones, Jess Fink
Webcomic Wednesday 24: Wondermark, Stuff No One Told Me, A Softer World
Webcomic Wednesday 23: One Swoop Fell, Savage Chickens, Sinfest
Webcomic Wednesday #22: Housepets!, Gronk, Copper
Check out the Archives for more comics!

Polnoc by Faqy

“I can believe things that are true and things that aren’t true and I can believe things where nobody knows if they’re true or not.

I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen – I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.

I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.

I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.

I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like martians in War of the Worlds.

I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.

I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.

I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.

I believe that anyone who says sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too.

I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.

I believe that life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.”

Neil Gaiman, American Gods

Fourth of July by Anuwolf

“Our greatest happiness does not depend on the condition of life in which chance has placed us, but is always the result of a good conscience, good health, occupation and freedom in all just pursuits.” – Thomas Jefferson.

Happy Birthday, United States of America!

I love the family and food and happy faces that Independence Day brings, but I am not a fan of the loud noises that come with it. I am absolutely terrified of fireworks – even just the start of a whistle makes it hard for me to breathe because of how anxious I get. Kovtapyroergasoiphobia is the name of the phobia and while I can’t pronounce it, it doesn’t make it any less real. So while I wish America a happy birthday and hope you all have a fabulous day filled with family and friends and hot dogs, I will be with my pups hiding in the house with my music turned as loud as I can make it.

Speaking of pups, make sure yours are safe inside. Dogs and cats are not fans of this holiday. Love them and keep them indoors.

Happy Independence Day!


What time is it? It’s ADVENTURE TIME! Or really – it’s time for Cartoon Network to get a Summer Refresh! Earlier this month, I was contacted about this particular campaign and was super excited to see Cartoon Network’s latest makeover. If you’re an avid Cartoon Network fan, you’ve most likely already seen this, but just in case you haven’t (or you’re just tuning in now), I’ll explain it to you.

The Summer Refresh Project

“Courtesy of its in-house creative agency Creative Group, Cartoon Network received a summer makeover, with a new set of brightly colored images and a video seamlessly blending the work of top animators around the globe. As part of the 2013 “Summer Refresh,” the new graphics feature popular Cartoon Network characters, such as the Annoying Orange and Finn and Jake from Adventure Time. Inspired by their cool new look, Creative Group took the daring step of stitching together a 60-second video comprising the work of six different animators and animation companies from around the world.”

The video is pretty kick-ass. Check it out here or watch below:

An Exquisite Corpse of Animators!

As mentioned, six different animation studios were approached to submit 10 second pieces for this video. The only rules they were given were to stick to the color scheme, include characters from certain Cartoon Network shows (Adventure Time, Regular Show, MAD, Ben 10, Gumball, Looney Tunes, and Annoying Orange), and not show any nudity. What you see before you is an amazing and seamless work of moving art.

The animation studios that took part in the Summer Refresh project were Impactist (Portand, OR), Awesome Incorporated (Atlanta, GA), CRCR (France), Alex Grigg (UK), Eamonn O’Neill (UK), and Rubberhouse (Australia), with music created by Impactist.

Leslie Kleine, senior producer of the Creative Group in charge of this makeover, said of the project, “We referred to this as our science experiment, mainly because we weren’t totally convinced that it would work, [Creative Group and Adult Swim Creative Director] Jacob Escobedo had this vision of several animators of varying styles creating unique pieces that could then be stitched together into one interstitial. In the end, we reached out to animation teams from Australia, France, Portland Oregon, Atlanta Georgia, and two from the UK, and they were all enthusiastic, even though they wouldn’t know what the others were doing. … This project was an incredible lesson in risk, but also one of the most rewarding that I’ve ever worked on. What we got exceeded our expectations.”

Leslie Kleine is a Senior Producer for Cartoon Network’s Creative Group with Turner Broadcasting in Atlanta, GA and has been with the company for 13 years. Prior to working at Cartoon Network, she spent a year stage managing at Playhouse on the Square in Memphis, TN. Leslie holds two degrees from the University of Alabama in Telecommunications & Film and Theatre.

I had a chance to interview Leslie a little more on Cartoon Network’s new look and the process of the whole thing. It’s a really cool inside look into how the design and branding process works for projects like these for big networks. So without further introduction, on with the interview!


Interview with Cartoon Network’s Leslie Kleine

01. Where did the original idea for the Summer Refresh project come from? Tell us a little about it and how the idea to use other animators came about.

The idea came from our VP of Design, Jacob Escobedo. He had been admiring a number of animators and was looking for an opportunity to work with them in a way that would allow them to maintain their own animation styles. He proposed the Equisite Corpse concept & we all agreed that we had to try it.

02. Considering that there were only three simple rules for the animators, were you worried about the outcome? What were the biggest risks of the project and how did you get around them?

Worry never crept in. We had no idea if the pieces would stitch together but we thought we’d at least end up with some really great :10 bumps! Regarding challenges, we knew it was critical that we have clear communication & collaboration but we were working in multiple time zones so we utilized Basecamp to post updates and share progress. It was a wonderful resource for us. The final posts were one big love fest with everyone gushing over each other’s work.

03. What did the process look like? Being that there were so many people involved, what was the timeline like?

The first stage was music. Michael Ouweleen, SVP of the Creative Group, had been listening to Impactist so we reached out to them about making some tracks for us. Right before the call, we discovered that Impactist is a powerhouse duo, Kelly & Daniel, who also direct and animate. They’re probably whipping up a cure for the common cold in their spare time. But seriously, they delivered the first pass of music and we chose our top two tracks – no notes. We immediately invited them to take one of the :10 slots to animate.

We asked the animators to work simultaneously so the timeline was fairly straightforward with everyone hitting the same dates. The first delivery was each animator’s final frame of their allotted :10, which was the starting point for the next team.

04. I’m a big fan of the color scheme y’all chose. Where did the inspiration for that come from?

Our network design DNA is black and white checkerboard with an infusion of CMY. We wanted to update the look this year so our design team collectively made some adjustments which included brightening the CMY.

05. In my eyes, this project was a success! I love the new look and the video was really amazing (and seamless) to watch! Are there any plans to do this again in the future?

Thanks – we’re so proud of the work from every team. I don’t know if we’ll tackle another Exquisite Corpse but I can guarantee that we’ll dive into the unknown again.

06. What was your favorite part of working with all these people?

When we called to pitch the job, we hadn’t worked out the process yet so we were like, “Hey, we like you. Do you want to work with a bunch of animators from around the world? We’ll email you the details later.” The amazing thing was that everyone we spoke to jumped on board – and it wasn’t for the cash! They were all so gracious and collaborative… Now you have a taste of how our Basecamp posts read!

07. And finally… What’s your favorite color?

It’s a three-way tie between cyan, magenta and yellow. I’m subconsciously working them into every facet of my life though my two boys have drawn the line at magenta shoe laces.


What Time Is It? It’s… The End!

Thank you to Leslie for taking time to answer my questions and for everyone from Creative Group and Cartoon Network for the awesome project. Everyone be sure to check out Cartoon Network and let me know what you think! I would love to hear your thoughts on the video!