My Third Annual PAX South Trip!

I went to PAX South both in 2016 and in 2017. And this year was no different from those past experiences: it was wonderful!

Just like last year, the Enforcers were incredibly wonderful and helpful and went out of their way to look out for me and get me where I needed to be at any given time. Even if we were late to something (because sometimes it’s a struggle to get through crowds when you’re in a wheelchair), we were taken care of and I’m so so very thankful to every single person who helped us. This year I even got to meet and give a big hug to Kristin Lindsay, head of the Enforcers and now a good friend. She’s wonderful and her Enforcers are wonderful – they make PAX what it is.

Unlike last year, we were only able to go one day instead of the usual three day weekend. My health has gotten a little worst than what it was a year ago so one day is all I can do now for an event like this. Thankfully, our good friends Claire and Pete let us crash in their hotel room the night before so we drove down Friday night and then got to spend all of Saturday at the con. We have very good friends.

Onto some pictures of our fun time!

Furry Husband and I in our usual selfie pose.

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PAX South Tickets are on Sale!

PAX South tickets are on sale and I realized I haven’t written about my last experience. So here’s my belated thoughts on my second annual January San Antonio vacation.

I was at PAX South for the first time in 2016. This last January, Jake and I returned. PAX South 2017 was everything I needed it to be and I’m so thankful I didn’t chicken out and not go. I was so nervous because not only was it my first vacation/outing out of the city in a year (I’ve been dealing with a lot of medical issues), it was my first outing in a wheelchair. Like I had mentioned in an earlier post, I can’t walk well anymore and I use a wheelchair to get around. I was nervous because I had no idea how accessible everything at the conference center would be, I didn’t know I’d handle the inability to be in control of my own motion (I don’t have a lot of strength in my arms either so Jake pushed me everywhere), and I was worried about how friends that I hadn’t seen in awhile would react to seeing me immobile.

Thankfully my worries were for nothing; the actual trip was above and beyond my highest expectations. The two main reasons for that were: the incredible PAX enforcers who helped me get my medical badge and made sure EVERYTHING was accessible to me; and my beautiful amazing welcoming wonderful friends who greeted me with open flying tackle hugs. It was a long and exhausting weekend and I paid for it in the following week (I slept a lot), but it was worth it. So worth it. Which is why we are going back for Pax South 2018!! To get myself even more excited about 2018, check out my PAX 2017 photos (and friends) from earlier this year:

My handsome husband & I

PAX SOUTH!

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Today’s Webcomic Wednesday is one from the FUEL archives – we’re going back in time for an interview with E.K. Weaver of The Less Than Epic Adventures of TJ and Amal fame, a (more than epic & NSFW) comic about two guys who throw caution to the wind, and take off on a cross-country road trip. As the author puts it, “”This is the story of two dudes who drive from Berkeley to Providence, take multiple detours, smoke too much weed, eat terrible Chinese food, sleep in seedy motels, get kicked out of a Goodwill, contemplate fate versus chance, piss into the sunset, start a brawl in a Waffle House, and fall in love.”

On with the Interview!

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What started you down the road of comics?

I wouldn’t really say I’m “on the road of comics”… maybe on a smaller frontage road, or in the bike lane. I’ve always liked drawing quick sequentials, but never really identified as a Comic Book Artist – partly because it’s not how I make a living; partly because I’m still a very green amateur. Honestly, what got me started working on a comic book was realizing the story I had in mind was best told in that medium. That’s it. I’ve come to love it, though – the craft of comics, I mean. Scripting, pacing, timing, layout. It still blows me away that when you make a comic, you manipulate time with art. How cool is that?
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Who was your biggest inspiration in the field of comics or cartoons?

Oh gosh, um. There are so many amazing artists (many my age and younger) who are continually evolving inspirations, but if we’re going with the past tense, I’d have to say Al Hirschfeld and Kyle Baker.

I’ve always admired Hirschfeld’s knack for distilling a person’s likeness down to its essential forms – not just facial resemblance but style of motion and posture as well. He depicts someone’s essence clearly even while rendering it in impossible ways – placing the eyes below the mouth, say, or drawing tight spirals for eyes. Not only that, but watching the documentary The Line King and seeing how instead of just flinging out these effortless curves and perfectly placed lines (as I’d previously thought), that he took each drawing through a painstaking sketching and refining process… it was like a beam of light out of the blue. I saw that pouring effort and time into artwork showed dedication, not inability to “get it right the first time”. That artists aren’t gods but people who work really damn hard.

As for Kyle Baker: His comics showed me the importance of acting. Characters don’t just move through a scene, they live it – they act it. Just read the first 10 or 15 pages of I Die At Midnight and you’ll see what I mean. His work is incredibly cinematic. Also, Baker’s books Why I Hate Saturn and Undercover Genie – and more recently, How to Draw Stupid – have been huge inspirations. There’s a LOT of Saturn influence in TJ and Amal – building characters through conversation and facial expression, setting the story in its place and period rather than trying to make it ‘timeless’, telling the story in ordered vignettes rather than one continuous arc…

What were some early creations – and what do you think of them now?

Comics-wise? I don’t really have much to speak of. Most of my creative projects before TJ and Amal were commercial illustration and design, or fandom stuff I did just for fun. Nothing I could call a truly original creation.
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What is your favorite medium to work with?

Plain old mechanical pencil.

Regarding your process of creating a finished panel, what is your favorite part? Sketching, lineart, or the color?

Probably the first passes in pencil and ink. That’s when things really start to solidify, and when the emotion starts to show clearly. It gets me pretty pumped to see everything finally taking shape.
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How long does it take you to create a final, fully-detailed comic?

We’ll find out. Three years, at least. *haha* A single page takes between 6 and 15 hours, and a 10-page segment usually will take between 3 and 6 weeks. (I have a day job, so comicking happens on weekends and at night. )

Who is your favorite – TJ or Amal?

I can honestly say I do not favor one over the other. Amal’s easier for me to relate to, but TJ’s dialogue is much easier to write.
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If TJ and Amal were stranded in a rainforest, do you think they’d survive? (And who would crack first?)

Probably. TJ’s appetite might have him end up eating some nasty mushroom, though. (Amal would crack first, just because of all the bugs.)

Annnndddd…. What is your favorite webcomic?

Oh man, that’s like setting me loose in a cheesemonger’s and telling me I can only pick one! Erm, so I won’t.
For strips, probably either Nedroid, Hark! A Vagrant, Girls With Slingshots, or Something Positive. I’ve been following those last two for a long time. Long-form webcomics I like include Hanna is not a Boy’s Name, Templar, AZ, The Meek, Octopus Pie… I don’t think I can go on without leaving someone important out, but there are way more than this! There’s so much love, enthusiasm, and talent out there in the webcomics world. It’s really exciting.
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You can find more about E.K. Weaver and her art here: